Artist: Wu Feng

Dimension: 52×14mm (micrograph)

Materials: Mammoth ivory (fossilized tusk) and jadeite

Forms: Plaque

Main Features: The microcarved section is executed on mammoth ivory, an organic material with a density of approximately 1.90 g/cm³ and a Mohs hardness of around 2.5, making it suitable for fine carving. As an organic material, mammoth ivory is hygroscopic and highly sensitive to environmental humidity, readily absorbing and releasing moisture. It can be tinted, but requires careful conservation: it should be kept away from direct airflow and water, protected from extreme temperature fluctuations, and maintained in a stable environment with moderate humidity to prevent mold and insect damage. Even slight mishandling may result in warping, cracking, or discoloration. The work integrates micrograph with jade in a unified composition.

Description: Inspired by the ancient principle that military strategy ultimately serves to prevent warfare, the artist creates an archaistic ritual blade in jade, linked with a chain and a beast pattern symbolizing the restraint of conflict. Along the blade and chain is inlaid a microcarved rendition of The Art of War in thirteen chapters comprising over six thousand characters. The piece reflects the ancient understanding of the perils of war, conveying the idea that the highest wisdom lies in averting conflict and preserving peace.

Awards: This work has not been submitted for competition. A later white jade version of it by the same artist received the Gold Award of the “Hundred Flowers Award” of ChinaArts and Crafts in 2015.